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	<title>Heather Maitland &#187; contemporary dance</title>
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	<link>http://www.heathermaitland.co.uk</link>
	<description>Audience development &#38; research consultant Heather Maitland, UK</description>
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		<title>Audiences for unfamiliar work</title>
		<link>http://www.heathermaitland.co.uk/2006/07/audiences-for-unfamiliar-work/</link>
		<comments>http://www.heathermaitland.co.uk/2006/07/audiences-for-unfamiliar-work/#comments</comments>
		<pubDate>Mon, 03 Jul 2006 11:00:20 +0000</pubDate>
		<dc:creator>Heather Maitland</dc:creator>
				<category><![CDATA[Understanding audiences]]></category>
		<category><![CDATA[art house cinema]]></category>
		<category><![CDATA[Arts Marketing]]></category>
		<category><![CDATA[audience development]]></category>
		<category><![CDATA[blues]]></category>
		<category><![CDATA[contemporary dance]]></category>
		<category><![CDATA[contemporary music]]></category>
		<category><![CDATA[folk]]></category>
		<category><![CDATA[jazz]]></category>
		<category><![CDATA[niche audiences]]></category>

		<guid isPermaLink="false">http://www.heathermaitland.co.uk/?p=262</guid>
		<description><![CDATA[Arts Professional: Essential Audiences 3 July 2006 Trainspotters and Trendsetters Heather Maitland considers the nature of audiences for unfamiliar work by unfamiliar artists I can’t think of many arts organisations that don’t want to stretch their audiences and their staff by programming outside their comfort zone. That means we are all dependent on the visitors, [...]]]></description>
			<content:encoded><![CDATA[<h1>Arts Professional: Essential Audiences 3 July 2006</h1>
<p><br/><br />
<h7>Trainspotters and Trendsetters</h7><br/><br />
<h8>Heather Maitland considers the nature of audiences for unfamiliar work by unfamiliar artists</h8><br/><br />
I can’t think of many arts organisations that don’t want to stretch their audiences and their staff by programming outside their comfort zone.  That means we are all dependent on the visitors, participants and audiences who are willing to follow us into unknown territory.<br />
<br/><br />
At its annual conference in May, Audiences Central invited speakers and participants to explore the world of trainspotters and trendsetters.  We defined trainspotters as those consistently interested in a particular type of arts activity that most people aren’t and trendsetters as those who consistently take risks with unfamiliar and untested artists activities in a way that most people don’t.  So who are they and what are they like?<br />
<br/><br />
<a href="http://www.heathermaitland.co.uk/wp-content/uploads/2009/09/Audiences-for-unfamiliar-work.pdf" target="_blank">View full article as PDF document</a>.<br />
<a href="http://www.heathermaitland.co.uk/wp-content/uploads/2009/09/Audiences-for-unfamiliar-work.doc" target="_blank">View full article as word document</a>.</p>
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		<title>Selling contemporary work</title>
		<link>http://www.heathermaitland.co.uk/2005/05/selling-contemporary-work/</link>
		<comments>http://www.heathermaitland.co.uk/2005/05/selling-contemporary-work/#comments</comments>
		<pubDate>Sun, 01 May 2005 11:00:19 +0000</pubDate>
		<dc:creator>Heather Maitland</dc:creator>
				<category><![CDATA[Understanding audiences]]></category>
		<category><![CDATA[Arts Marketing]]></category>
		<category><![CDATA[audience development]]></category>
		<category><![CDATA[contemporary dance]]></category>
		<category><![CDATA[contemporary music]]></category>
		<category><![CDATA[contemporary visual arts]]></category>
		<category><![CDATA[marketing new  work]]></category>
		<category><![CDATA[new  work]]></category>

		<guid isPermaLink="false">http://www.heathermaitland.co.uk/?p=277</guid>
		<description><![CDATA[Is it time for Plan B? Heather Maitland published by the Arts Marketing Association 2000 Is it time to acknowledge that the accepted notions about marketing new work simply don’t get results? Time to throw them out and think of something that does? We’ve been trying to develop audiences for new work for years now [...]]]></description>
			<content:encoded><![CDATA[<h1>Is it time for Plan B?</h1>
<p><br/><br />
<h7>Heather Maitland</h7><br/><br />
<h8>published by the Arts Marketing Association 2000</h8><br/><br />
Is it time to acknowledge that the accepted notions about marketing new work simply don’t get results?  Time to throw them out and think of something that does?<br/><br />
We’ve been trying to develop audiences for new work for years now but numbers still don’t meet expectations. And marketers still feel under unbearable pressure to achieve the impossible. So what are we doing wrong?<br/><br />
<a href="http://www.heathermaitland.co.uk/wp-content/uploads/2009/09/Selling-contemporary-work.DOC" target="_blank">View full article as word document</a>.</p>
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		<item>
		<title>Copywriting &#8211; risky work</title>
		<link>http://www.heathermaitland.co.uk/2001/10/copywriting-risky-work/</link>
		<comments>http://www.heathermaitland.co.uk/2001/10/copywriting-risky-work/#comments</comments>
		<pubDate>Mon, 01 Oct 2001 11:00:33 +0000</pubDate>
		<dc:creator>Heather Maitland</dc:creator>
				<category><![CDATA[Copywriting]]></category>
		<category><![CDATA[Arts Marketing]]></category>
		<category><![CDATA[contemporary dance]]></category>
		<category><![CDATA[contemporary music]]></category>
		<category><![CDATA[contemporary theatre]]></category>
		<category><![CDATA[unfamiliar work]]></category>
		<category><![CDATA[writing copy]]></category>

		<guid isPermaLink="false">http://www.heathermaitland.co.uk/?p=188</guid>
		<description><![CDATA[Journal of Arts Marketing Issue 03 &#8211; October 2001 Raspberry &#038; Peaches How do you signal to the readers of your season brochure that this event is seriously weird? You want to encourage them to take risks but you’d rather not have half the audience stomping out in a huff. Peaches and cream for these [...]]]></description>
			<content:encoded><![CDATA[<h1>Journal of Arts Marketing Issue 03 &#8211; October 2001</h1>
<p><h7>Raspberry &#038; Peaches</h7><br/><br />
How do you signal to the readers of your season brochure that this event is seriously weird? You want to encourage them to take risks but you’d rather not have half the audience stomping out in a huff. Peaches and cream for these copywriters who have been working towards some solutions.<br/><br />
<strong>Peaches and Cream&#8230;</strong><br/><br />
You can be up front – this gig from Edinburgh’s independent music festival Planet Pop may be harmful to your health …<br />
Only for the true believers … Huckleberry’s blaring Hammond organ, fuzzed-up guitars and heavyweight rhythm section go straight for the heart, blowing your eardrums along the way.<br/><br />
Or, like the Barbican, you can issue an irresistible challenge to your audience:<br/><br />
Feeling pretty confident about contemporary dance? Know your way around? Bring it on. It’s time to leave the comfort zone. i said i shatters everything you ever thought about dance and dancers. Bizarre, breathtaking and as full-on as you can get: expect to go home and rest afterwards&#8230;<br/><br />
<a href="http://www.heathermaitland.co.uk/wp-content/uploads/2009/08/Copywriting-risky-work-Oct-2001.pdf" target="_blank">View full article as PDF document</a>.<br />
<a href="http://www.heathermaitland.co.uk/wp-content/uploads/2009/08/Copywriting-risky-work.doc" target="_blank">View full article as word document</a>.</p>
]]></content:encoded>
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		<item>
		<title>Copywriting &#8211; general examples</title>
		<link>http://www.heathermaitland.co.uk/2001/07/copywriting-general-examples/</link>
		<comments>http://www.heathermaitland.co.uk/2001/07/copywriting-general-examples/#comments</comments>
		<pubDate>Sun, 01 Jul 2001 11:00:04 +0000</pubDate>
		<dc:creator>Heather Maitland</dc:creator>
				<category><![CDATA[Copywriting]]></category>
		<category><![CDATA[Arts Marketing]]></category>
		<category><![CDATA[contemporary dance]]></category>
		<category><![CDATA[contemporary music]]></category>
		<category><![CDATA[writing copy]]></category>

		<guid isPermaLink="false">http://www.heathermaitland.co.uk/?p=181</guid>
		<description><![CDATA[Journal of Arts Marketing Issue 02 &#8211; July 2001 Raspberry &#038; Peaches Why do we seem to find it so difficult to persuade people to experience the arts? Could it be that we are not talking to people in the right way? Almost all audience members need straightforward answers to three straightforward questions: What is [...]]]></description>
			<content:encoded><![CDATA[<h1>Journal of Arts Marketing Issue 02 &#8211; July 2001</h1>
<p><h7>Raspberry &#038; Peaches</h7><br/><br />
Why do we seem to find it so difficult to persuade people to experience the arts? Could it be that we are not talking to people in the right way? Almost all audience members need straightforward answers to three straightforward questions: What is it about? What is it like? How am I going to feel when I experience it? In a bid to get us all communicating appropriately, JAM brings you a range of peaches to aim for and raspberries to avoid. <br/><br />
<strong>A Big Raspberry to&#8230;</strong><br/><br />
The dance festival that consistently writes copy that goes straight over most people’s heads – including those who like contemporary dance:<br/><br />
His performances explore movement inspired by how the body is regarded as both form and content in a live performance. [This] is a solo work which searches for the space where the perception of oneself as object collides with the wish to retain control&#8230;<br/><br />
<a href="http://www.heathermaitland.co.uk/wp-content/uploads/2009/08/Copywriting-general-examples-Jul-2001.pdf" target="_blank">View full article as PDF document</a>.<br />
<a href="http://www.heathermaitland.co.uk/wp-content/uploads/2009/08/Copywriting-general-examples.doc" target="_blank">View full article as word document</a>.</p>
]]></content:encoded>
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